What type of music is Alleluia Vidimus Stellam?

Gregorian Chant
This is an ideal example of plainchant, commonly called “Gregorian Chant” after Pope Gregory who codified the chants used as part of the church service. Recognizing that we very nearly at the beginning of notated Western music, the very basic musical elements can be found here.

Is Alleluia Vidimus Stellam melismatic?

The melodic setting of the syllable “-ia” at the very beginning of “Alleluia, Vidimus Stellam” is in the text setting known as: syllabic. melismatic.

What is the texture of O Successores?

It is homophonic, as it consists of a melody line accompanied by very simple harmony. The dominant timbre is female voice. The harmony is provided by the fiddle, a bowed string instrument.

What are the characteristics of organum?

900; “Musical Handbook”), organum consisted of two melodic lines moving simultaneously note against note. Sometimes a second, or organal, voice doubled the chant, or principal voice, a fourth or a fifth below (as G or F below c, etc.). In other instances, the two voices started in unison, then moved to wider intervals.

Where does the melody begin in Vidimus Stellam?

Its soaring melody begins in the middle ranges and weaves a winding path serenely upward in its first phrase, then etches out lovely arched contours in succeeding phrases.

What kind of texture does Alleluia have?

The texture is monophonic (even though several singers are participating, there is only one melody), there is no consistent pulse, and the melody is based on a church mode (Dorian to be specific). The church mode and the lack of pulse lead to the almost enchanting “other-wordly” feel that is common in plainchant.

What does the ruin represent in the Alleluia?

The ruin is symbolic and represents the old world: Jesus represents the new, Christian world. Pieter Aertsen painted this large, colourful panel in around 1560. It is a varied scene with many attractive details such as the rather homely basket of clothes beside Mary and the king’s entourage with camels on the left of the background.

Who was King David that painted the Alleluia?

This refers to King David, a distant ancestor of Jesus. The ruin is symbolic and represents the old world: Jesus represents the new, Christian world. Pieter Aertsen painted this large, colourful panel in around 1560.